Initially many laid blame at the door of the Black Death. Below we look at two main categories of desertion — natural forces and forced eviction. Next week we will explore some other forms of desertion — sudden events, economic decline, absent settlements and the long slow decline. Natural Forces The Black Death Examples of abandoned villages purely as a result of the Black Death are rare — even though this is the often quoted reason for settlement desertion. That the Black Death lowered the population in certain areas is probable, but the complete abandonment of a settlement is hard to prove. One example of desertion suggested as a result of the Black Death is Cainhoe in Bedfordshire.

Internet Archaeol. Baker et al. Analysis of the Medieval and Later Pottery

Then there are the explorations within, tours of castles, walks along the walls and shops and restaurants in medieval squares. Many cities still have their medieval walls predominantly intact in various parts of the world. Did we mention our obsession? We’ve visited quite a few. Today it retains its layout from the Ming and Qing dynasties and this, together with its impressive city walls, saw it World Heritage listed in

Buckley in North Wales was associated with the production of pottery from the medieval period to the mid twentieth century. The most productive time was in .

New ceramic dating process unearthed By Lewis Brindley20 May No comments By measuring moisture recombination in ceramics, scientists have found a new way to date ancient pottery and brickwork A new way to find the age of ceramic objects, such as ancient pottery, has been developed by scientists in the UK. The technique measures how much water the items have absorbed since they were fired – simply and accurately revealing when they were made.

Broken pottery, brickwork or tiles are unearthed at almost every archaeological dig site, but they are often of little use to archaeologists as determining how old they are is difficult. Carbon dating cannot be used because ceramics are made from finely-grained mineral clay, and alternative dating methods are complex and costly. Now, UK scientists have found a way to date these artefacts and thus give fresh insight into the history and construction of excavated ruins or items.

The laboratory procedure is simple: Then, because mineral clay composition can vary wildly between different ceramics, the sample is monitored to determine the rate at which it picks up water – allowing the age to be calculated. The researchers indicate that the technique may also find uses in spotting fake objects or uncovering whether buildings have been re-built or experienced a fire. For example, while testing a variety of bricks and tiles provided by the Museum of London – including Roman, medieval and modern samples – all but one of the samples were accurately dated.

The sample that threw the results was a clay brick from a medieval priory in Canterbury, UK, which was dated at only 66 years old instead of several hundred. On further investigation, the team found that the priory had been bombed during World War II, resulting in the clay bricks being heated over ? C, which would have dried them out and thus affected the results.

Pottery in Archaeology by Clive Orton

The material dates from late antiquity to the Ottoman period and includes pottery, tiles, bricks, and pipes. The articles vary considerably in length; some clearly form parts of works still in progress, while others stand as final publications of small groups of ceramics. The 36 papers cannot be discussed individually within the limited scope of this review, but they can be divided into groups according to their approaches.

An important focal point of the symposium was the problem of regional production of ceramics, architectural tiles, and pipes. Some articles approach pottery production in different regions of the Mediterranean, percentages of imports to different centers, and locally produced variants. This may be one of the last symposia to include such a broad geographical and chronological range of ceramics.

Medieval objects found in the parish include pottery fragments, coins, a pilgrim bottle, brooches and buckles. A flint-lined medieval well which was excavated in The first Haveringland Hall was medieval.

Nonetheless, to transform ceramic artefacts into items of historical knowledge, they need to have been previously transformed into reliable chronological indicators. Only after this phase has borne fruit, and aided by other material evidence, are we in a position to obtain information about past societies. To start with, four aspects we consider to be of prime importance in ceramographological research were studied: The aim is to obtain reliable chronologies of the contexts from stratigraphical analysis, establishing relative sequences to which an absolute chronology may be attributed, whether from coins, radiocarbon analyses or historical data.

In this way, we have the conditions to draw up a precise systematisation, and meeting our objective of making medieval pottery a chronological indicator that inverts the path in the manner of feedback and enables the dating of contexts from the artefacts themselves. The end result being sought here is the determination of the chronological context of the pottery finds by precise dating of the pottery artefacts.

With this aim, a systematisation model based on analysis has been drawn up for the various archaeological sites located in Alava and Bizkaia, in the Basque Country with stratigraphies positively identified as being from the VIII to the XIII centuries and which are relevant from a ceramographological perspective. In this way, we drew up a system in which we ordered and characterised the different collections of pottery found in the contexts studied, distinguishing successive levels of analysis, within a praxis that enabled the taking into account of technological, functional and morphological criteria.

On concluding this systematisation of the corpus of pottery and quantifying the artefacts, we classified all the material from a diachronic perspective, in such a way to enable the visualization, not only of the chronological seriation of the collections of pottery, but also their degree of incidence throughout the centuries and their context of usage. To this end, we based ourselves on the chronological references corresponding to each stratigraphic context, although without underrating the references obtained from the comparative analysis undertaken with other pottery collections in the area.

This effectively involves the identification of various “groups of reference” or, what amounts to the same, the different collections of pottery that were manufactured in a specific period and geographical area. After defining the chronological seriation of the pottery collections, we have to specify with which manufacturing process models they are associated, i.

The models of production are usually intimately linked with different systems of distribution – in our case on a local, regional or superregional scale -, the determination for which laboratory archaeometric analysis petrographical and mineralogical through X-ray diffraction and chemical analysis proved fundamental.

Beyond the Baths: Speed Dating with Pottery

Late Medieval 15th th centuries AD. Pottery was produced in Hopton and the surrounding parishes of Hinderclay, Thelnetham, Wattisfield and Rickinghall, during the 15th to 16th centuries. Kilns have been excavated at Hopton and Rickinghall.

CHAPTER 19 Medieval and post-medieval pottery. by Lorraine Mepham 19 Medieval and post-medieval pottery Lorraine Mepham A total of sherds (58, g) of post-Roman pottery was recovered from three sites at Stansted airport, from all stages of .

Soap-making devices dating from the s have been excavated in Arabia, and the European Mappae Clavicula—written in the early s—includes soap-making directions. With care and some experimentation, modern crafters can recreate the soaps used in medieval times. European version Step 1 Collect ashes and spread them over wickerwork or sieve. Place pot under wickerwork or sieve. Gently pour hot water over ashes so it drips into pot. Heat collected lye water.


Share shares ‘This sort of layout was a deliberate tactic used to minimise risk to the house from the fires in a kitchen, particularly for buildings of this age. The building unusual find in the town, as many contemporary structures had less substantial foundations and as a result have not survived. The rare building and artefacts such as this pottery fragment from a storage jar was discovered on the site of Guildhall Feoffment School. It’s possible to see strengthening strips and decoration on the jar, which would have had a lid and is an example of sandy greyware, dating to the medieval period A lead ‘boy bishop token’ dating to to as found at the site.

These were issued by a boy bishop – an elected choirboy – could be spent or exchanged. The story goes that he refused the Danes’ demand to renounce Christ and was beaten, shot with arrows and beheaded as a result.

10 of the best medieval walled cities a variety of crafts including pottery, copper work, carpets and jewelry. with rare frescoes which are perfect examples of Byzantine art dating from.

Sales Pottery in Late Antique and Medieval Europe There’s not a lot of information in popular historical accounts or art history about pottery as an art form or as something people cared about, but there is a great deal known about pottery styles and types. Ceramic fragments can be tested and analyzed to determine when it was made. So in places where pottery has been made in the past, pottery is used, along with tree-ring dating and other techniques, to date archeological finds.

But very often, little attention is given to pottery as an expression of its time or culture. The one exception is the very fine Greek pottery we see in museums. These wares are beautifully decorated in contrasting colours, and technically, are among the finest pottery ever produced.

Cormac McSparron

Sunday, 25 October Norwegian medieval furniture: This is a portal of six Norwegian University Museums containing their huge collection of high quality photos of objects and research activities. It took some long evenings to sift through all these photos and save the interesting pieces of medieval furniture, tools and games. Another large quantity concerned runic inscriptions on wooden sticks, also not so interesting for me.

Already in my previous post , a few photos of medieval planes from originating from this portal were shown.

Earthenware was the first kind of pottery made, dating back about 9, years. In the 21st century, it is still widely used. In medieval times isolated specimens of Chinese porcelain found their way to Europe, where they were much prized, principally because of their translucency.

Luminescence Dating The Luminescence Dating Laboratory at the Research Laboratory for Archaeology and the History of Art, University of Oxford, has been actively involved in the development and application of luminescence dating for more than 50 years. The Laboratory has considerable experience in the dating of sediments and pottery and offers a service for luminescence dating of archaeological, environmental and Quaternary geological contexts.

This includes optically stimulated luminescence OSL dating of sediments as well ceramics pottery, brick, tile, etc… , and burnt stones. Applications of Luminescence Dating Luminescence dating is particularly appropriate when radiocarbon dating is not possible either where no suitable material is available or for ages beyond the radiocarbon age limit or for applications affected by radiocarbon plateau effects e.

The particular advantage of luminescence dating is that the method provides a date for the archaeological artefact or deposit itself, rather than for organic material in assumed association. In the case of OSL sediment dating, suitable material sand or silt-sized grains of quartz and feldspar is usually available ubiquitously throughout the site.

Spoilheap Archaeology

For two reasons, it serves as a major tool for the archaeological study of the material culture of ancient man: Pottery is of great value for acquiring the knowledge of the technological progress of various periods, the trends in the development of early plastic art, and international cultural and commercial relations which form the basis of the comparative chronology of different cultures in the ancient Near East.

On the basis of stratigraphic finds at archaeological excavations, pottery is seen to have undergone changes in different periods as well as in different phases of the same period — changes in form, decoration, techniques of working the clay, and firing. As a result, pottery serves as a major index of the relative chronological framework of a given culture.

For protohistoric cultures and periods containing no written remains or coins, which are the primary sources of absolute chronology, the relative chronology constructed on pottery sequence serves as a substitute. Two kinds of clay have been differentiated:

Cambridge Core – Archaeological Theory and Methods – Pottery in Archaeology – by Clive Orton ‘ Luminescence dating of pottery from later prehistoric Britain ’, A post-medieval pottery site with a kiln base found off Albion Square, Hanley, Stoke-on-Trent.

The two sites represent two parts of the same settlement. Ninety-five ceramics were chosen for petrographic analysis from the two settlement parts. All the analysed vessels were made on the slow wheel; no other forming method could be identified. The aim of petrographic analysis is to provide an insight into ceramic technological practices, in particular raw material preferences and tempering. Apart from the detailed analysis of these technological practices we also compare the two settlement parts and assess whether ceramic technology changed between the 10th and 13th centuries and if there were specific choices in the use of raw materials and tempers between the 10th and 13th centuries.

Petrographic compositional groups are very similar between the two settlement parts. According to petrographic analysis the examined ceramics were made from very similar raw materials. Thus, ceramics were made in a very similar way in the two settlement parts and characteristic technological differences could not be identified.

These practices were used contemporarily, although fabric groups show high variability in the amount of sand and pebble tempering. Even though ceramic raw materials show high variability, their characteristics are similar sand and pebble tempering , thus the ceramic technology did not show any identifiable change between the 10th and 13th centuries indicating a strong ceramic technological continuity in the examined period.

Bellarmine: Pottery, Porcelain & Glass

Your guide to antique pottery marks, porcelain marks and china marks Dresden Porcelain A brief look at Dresden Porcelain and the Dresden Crown mark. Dresden Porcelain is often confused with Meissen porcelain, but only because Meissen blanks were used initially. However, Dresden porcelain refers more to an artistic movement than a particular porcelain company In fact, several competing ceramic studios emerged under the Dresden umbrella, particularly in the Saxony capital in response to the rise of romanticism during the 19th century.

Pottery Wheel Vintage Pottery Martin O’malley Vases Mid Century Antique Pottery Medieval Bulb Vase. Ceramic Design Dating Mid Century Quotes Medieval Dates. MERRIC BOYD. POTTERY JUG WITH APPLIED GRAPES & LEAVES. The Boyd family at their Murrumbeena Pottery Back row (L-R) Hatton Beck, husband of Lucy Boyd; Merric Boyd and David Boyd.

This page contains volumes of the journal which are now out of print — as we run out of hard copies of later editions, more will appear here. Hard copies of in print journals, as well as of our Occasional Papers can be purchased from the Medieval Pottery Research Group. We have also uploaded a copy of the Standard for Pottery Studies in Archaeology, which was published in Copyright of the papers lies with the authors and MPRG. Please contact the editor jervisb cardiff. MPRG was founded in to bring together people with an interest in the pottery vessels that were made, traded, and used in Europe between the end of the Roman period and the 16th century.

How to throw a medieval pot – English Heritage